The Fascinating Story of an Italian Song That’s Actually Gibberish

In 1972, fascination with American culture spurred an Italian showman to revive a medieval comic tradition.

The following article, written by Vittoria Traverso, appears on

The Deep Roots of an Italian Song That Sounds Like English—But Is Just Nonsense

Before children learn how to speak properly, they go through a period of imitating the sounds they hear, with occasionally hilarious results, at least for their parents. Baby talk evolves into proto-words, so that “octopus” might come out as “appah-duece,” or “strawberry” as “store-belly.” But it’s not just children who ape the sounds of spoken language. There’s a long tradition of songs that “sound” like another language without actually meaning anything. In Italy, for example, beginning in the 1950s, American songs, films, and jingles inspired a diverse range of “American sounding” cultural products.

The most famous is probably “Prisencolinensinainciusol,” a 1972 song composed by legendary Italian entertainer Adriano Celentano and performed by him and his wife, Claudia Mori. The song’s lyrics sound phonetically like American English—or at least what many Italians hear when an American speaks—but are clearly total, utter, delightful nonsense. You really have to hear it to appreciate it.

“Prisencolinensinainciusol” fell under the radar upon release, but in 1973—once Celentano performed it on Italian public broadcaster RAI—the song topped charts in Italy, France, Belgium, and the Netherlands.

It was rediscovered across the pond in the YouTube age, when in 2010 boingboing’s Cory Doctorow described a video of the song as “one of the most bizarre videos found on the internet,” and the 72-year-old Celentano was interviewed for an episode of National Public Radio’s “All Things Considered.” “Ever since I started singing, I was very influenced by American music and everything Americans did,” Celentano said.

He wasn’t alone. After World War II, American culture started to exert its influence in many parts of Europe. The phenomenon was especially strong in Italy, where the arrival of American troops in Rome in June 1944 helped mark the country’s liberation from fascism. Continue reading at

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